Cicada Eyes, 2019, watercolor, collage, 10h” x 18w”

Dream House Pods, 2019, watercolor, acrylic, fabric, pen, paper, 18“ x 24“

Black Eye Susie, 27 IN x 36 IN, drawing, Japanese woodcut, collage, 2016, Perhaps this is magical thinking, but I believe making art as a rite to summon the moon’s power of regulation has an impact. In a watercolor collage, I painted and pasted a row of dark moons hovering like drones over the following scene: a line of teeth, a female with Black-Eyed Susan flowers falling out of her long hair, and a scarecrow bursting from some mysterious female conducting a hidden ceremonial action. Above the row of dark moons, I pasted a repeating photo of myself, from a performance in the woods, crouching over cloudlike painted circles. I hold the half-sliced Osage orange over my eyes, creating new binocular mooneyes looking back at the viewer. The multiplied female form gazing out in a 2-tiered row is meant to invoke a formation, a militant wall of defense or uprising.

To Consume,, 2017, 18 x 24 inches, acrylic, watercolor, marker, Japanese woodcut, digital prints.

And be Consumed, 2017, 18 x 24 inches, acrylic, watercolor, marker, Japanese woodcut, digital prints.

Desert Rose Unfold Me, 2018, watercolor, ballpoint pen, collage, Elmer's glue, 10 x 8 inches.

Where is the Why (Lessons), 2018, digital prints, collage, 12 x 9 inches.

Ghost Pipes, 2018, watercolor, whiteout, ballpoint pen, marker, digital prints, paper, 18 x 27 inches.

Fire Fly, 2018, watercolor, acrylic, marker, colored pencil, ballpoint pen, paper on canvas, 11 x 24 inches.